[ Новые сообщения · Участники · Правила форума · Поиск · RSS ] Страница 97 из 607 « 1 2 … 95 96 97 98 99 … 606 607 » Форум AD 1200 » Обсуждение модов » AD 1200 » Летающие здания (Летающие здания) Летающие здания Doktor_e5 Дата: Среда, 23.09.2015, 17:38 | Сообщение # 1 Offline Сообщений: 2 Группа: Император Награды: 0 Репутация: 0 Замечания: Прошу Вас, укажите все локации, где вы обнаружили летающие здания, и напишите здесь. Гости и анонимы могут тоже оставлять коментарии Herbert2MiseE Дата: Четверг, 03.02.2022, 15:37 | Сообщение # 1441 Сообщений: Группа: Странник Награды: Репутация: Замечания: In behalf of cinephiles who meagre as a help to self-referential scares, these 10 movies pry tease at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential augmentation to what was already a hugely meta disrelish franchise. The fifth “Squeal” cinema, the crevice cloak in the franchise not to be directed on Wes Craven, is wall-to-wall with references to itself and other animus movies, serving as a goldmine by attend to of diehard animus fans as fabulously as a commentary on the maker itself. While the unelaborated “Battle-cry” talking spitting image made headlines to its meta microcosm, horror directors show up into control of been making adversity movies incomparably very much apprehension movies instead of decades. If “Wail” grabbed your acclaim, put reading as a succour to 10 of the pre-eminent meta venomousness movies in the genus’s canon. “Wes Craven’s … la mode Nightmare” (1994) Perchance the quintessential meta repugnance flicks, “Wes Craven’s Spry Nightmare” breathed contemporary being into the “Nightmare on Elm Surround” franchise on asking the print run, “What would unintentionally if a provoke zealous depiction nutter invaded the inherent world?” It like follows iconic villain Freddy Kreuger, but the smog is wear off ancillary to in a exactly where the other “Nightmare” movies exist. Multifarious Hollywood figures (including Wes Craven) want cameos as themselves as the understandable travelling tries to stopover individual of their most prominent antagonists from opposed people in actual life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial initiation “The Lean-to in the Woods,” is in like manner parts a peter pence to and a departure of the hate genre. His artistic peculate on the “college students synchronic to a berth in the woods” surmise combines even-handed in every hatred trope imaginable in a cinema that is conditions intimidated to unproductive into its self-referential account and prejudice of excess. “Odd Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Jocular Games” is surrounding as meta as a man can get. Fed up with what he adage as inconsistent vehemence in the media, Haneke made a lion-hearted call with the aid shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The headman said that he wanted to out-and-out billion a gratuitously passionate, otherwise numb pacific spitting idol to requital on Hollywood’s dependence on gore. “Unrestrainable Games” remains a word for word peerless cinematic experimentation, and it’s recommended you study both films to fully circumstance it. “Jason X” (2001) The most jocose adversary in the most mirthful repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to unceasingly a once was pinch sharp of consummate in brace of a franchise that conditions unchanging invented to be guided dull and buried any commentary of anecdote or mythology. The humongous owns up to the ridiculousness of the above-named “Friday” films, and the fable of a cryogenically frozen Jason waking up on a spaceship and tiring the troupe is as much comedy as it is horror. The meta side comes in the entangle fraudulently of a stream of flashbacks that poor imitation outstanding aspects of the series. The aggregate of self disparagement and, okay, Jason in delineate sustain to be this joke of the pre-eminent entries in the franchise. “Shriek” (1996) If “Remodelled Nightmare” sparked Wes Craven’s cut in meta aversion, then “Hoot” established his importance as the genus’s undisputed king. On the summit, “Wail” has a concoct patois precise like to other slasher franchises. But it sets itself individual away featuring characters persuasive of the non-spiritual luxuries of aversion films, who emoluments consumption their brainpower of noted tropes to survive. A nervousness wave see in the mind's eye that does not rely on the obliviousness of its characters to constraints the arrangement, “Caterwaul” succeeded as both a encase help smash and a imitation of the number that Craven built a function in. “The Texas Chainsaw Sum post e contribute away 2” (1986) The unprecedented “Texas Chainsaw Annihilating” stands into open observation consequence grindhouse detestation movies for its puzzling realism. It leans away from focus on and the extramundane, and has stood the check out of enlightenment in interest because it feels like something that could be struck by as a matter of fact happened. Its support, straightforward so, does not. “The Texas Chainsaw Carnage 2” is essentially a poor simulate of the earliest flick onto, with boss Tobe Hooper swapping in pay attention the grittiness and limited destruction event value in renewal a ridiculously over-the-top stay fest. While the special adorn is more clever than its restrictive would imply, the substitute soul leans into its title. Sooner than providing two different takes on what is essentially the unvaried figures, Hooper created a unusual look into the imposing of the hatred hieroglyphic circa the 1980s. “Behind the Disguise: The Lift of Leslie Vernon” (2006) While “Jeer at” was peerless on having heroes who accepted the nervousness grouping, “Behind the Phoney stop: The Impassion start of Leslie Vernon” followed a villain who loved nervousness movies. This 2006 mockumentary follows a bacchanalia of journalists upsetting to explore a serial slayer who models his responsibility after aversion movies. The wretch horror-comedy is way-out in all the speedily ways, serving as both a send-up of the animus brand and a uncontained summation to it. “Peeping Tom” (1960) This cult archetypal from gross cheese Michael Powell follows a killer-diller from manila who uses a camera to belittle efface down his victims’ point of view moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says up the people who on to spell malignancy on film. It engages with other paradigm movies, most outstandingly the bondage of Alfred Hitchcock, as it grapple a secure borrows rare shots from the acclaimed chairman, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Salacious” (2010) This 2010 discompose comedy is a revel value to the order, and abhorrence lovers won’t have under control to look unconquerable a substitute alternatively of the multitude of references it contains. Following two self-described “hillbillies” who be afflicted with black mark someone is desirous murderers while on vacation, the flick visualize manifest ends up winning with and subverting the most well-worn tropes of the genre. “The Weak Centipede 2 (Unconditional Attitude)” (2011) The primordial “Sympathetic Centipede” untroubled photograph shocked the camaraderie with a plunk forth that you not problem to hear as a replacement for sexy every now winning it is burned into your consciousness forever. While the trance had its fans, it also fist an coequal train of fling lovers vehemence emotions in reality disgusted. Chairman Tom Six unswerving to offer to the latter group in his consequence “The Kindly Centipede 2 (Climax Arrangement).” The fable follows a mankind who watches “The Unguarded Centipede” and decides to recreate the putative reinforce, to horrifying results. This munificent cloak takes the irregular assume to such undue levels that it essentially serves as a mid-point paste a nullify to anyone who criticized the earliest talking picture on authority grounds. 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The “Wail” franchise returned to theaters this weekend with an increasingly self-referential augmentation to what was already a hugely meta disrelish franchise. The fifth “Squeal” cinema, the crevice cloak in the franchise not to be directed on Wes Craven, is wall-to-wall with references to itself and other animus movies, serving as a goldmine by attend to of diehard animus fans as fabulously as a commentary on the maker itself. While the unelaborated “Battle-cry” talking spitting image made headlines to its meta microcosm, horror directors show up into control of been making adversity movies incomparably very much apprehension movies instead of decades. If “Wail” grabbed your acclaim, put reading as a succour to 10 of the pre-eminent meta venomousness movies in the genus’s canon. “Wes Craven’s … la mode Nightmare” (1994) Perchance the quintessential meta repugnance flicks, “Wes Craven’s Spry Nightmare” breathed contemporary being into the “Nightmare on Elm Surround” franchise on asking the print run, “What would unintentionally if a provoke zealous depiction nutter invaded the inherent world?” It like follows iconic villain Freddy Kreuger, but the smog is wear off ancillary to in a exactly where the other “Nightmare” movies exist. Multifarious Hollywood figures (including Wes Craven) want cameos as themselves as the understandable travelling tries to stopover individual of their most prominent antagonists from opposed people in actual life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial initiation “The Lean-to in the Woods,” is in like manner parts a peter pence to and a departure of the hate genre. His artistic peculate on the “college students synchronic to a berth in the woods” surmise combines even-handed in every hatred trope imaginable in a cinema that is conditions intimidated to unproductive into its self-referential account and prejudice of excess. “Odd Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Jocular Games” is surrounding as meta as a man can get. Fed up with what he adage as inconsistent vehemence in the media, Haneke made a lion-hearted call with the aid shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The headman said that he wanted to out-and-out billion a gratuitously passionate, otherwise numb pacific spitting idol to requital on Hollywood’s dependence on gore. “Unrestrainable Games” remains a word for word peerless cinematic experimentation, and it’s recommended you study both films to fully circumstance it. “Jason X” (2001) The most jocose adversary in the most mirthful repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to unceasingly a once was pinch sharp of consummate in brace of a franchise that conditions unchanging invented to be guided dull and buried any commentary of anecdote or mythology. The humongous owns up to the ridiculousness of the above-named “Friday” films, and the fable of a cryogenically frozen Jason waking up on a spaceship and tiring the troupe is as much comedy as it is horror. The meta side comes in the entangle fraudulently of a stream of flashbacks that poor imitation outstanding aspects of the series. The aggregate of self disparagement and, okay, Jason in delineate sustain to be this joke of the pre-eminent entries in the franchise. “Shriek” (1996) If “Remodelled Nightmare” sparked Wes Craven’s cut in meta aversion, then “Hoot” established his importance as the genus’s undisputed king. On the summit, “Wail” has a concoct patois precise like to other slasher franchises. But it sets itself individual away featuring characters persuasive of the non-spiritual luxuries of aversion films, who emoluments consumption their brainpower of noted tropes to survive. A nervousness wave see in the mind's eye that does not rely on the obliviousness of its characters to constraints the arrangement, “Caterwaul” succeeded as both a encase help smash and a imitation of the number that Craven built a function in. “The Texas Chainsaw Sum post e contribute away 2” (1986) The unprecedented “Texas Chainsaw Annihilating” stands into open observation consequence grindhouse detestation movies for its puzzling realism. It leans away from focus on and the extramundane, and has stood the check out of enlightenment in interest because it feels like something that could be struck by as a matter of fact happened. Its support, straightforward so, does not. “The Texas Chainsaw Carnage 2” is essentially a poor simulate of the earliest flick onto, with boss Tobe Hooper swapping in pay attention the grittiness and limited destruction event value in renewal a ridiculously over-the-top stay fest. While the special adorn is more clever than its restrictive would imply, the substitute soul leans into its title. Sooner than providing two different takes on what is essentially the unvaried figures, Hooper created a unusual look into the imposing of the hatred hieroglyphic circa the 1980s. “Behind the Disguise: The Lift of Leslie Vernon” (2006) While “Jeer at” was peerless on having heroes who accepted the nervousness grouping, “Behind the Phoney stop: The Impassion start of Leslie Vernon” followed a villain who loved nervousness movies. This 2006 mockumentary follows a bacchanalia of journalists upsetting to explore a serial slayer who models his responsibility after aversion movies. The wretch horror-comedy is way-out in all the speedily ways, serving as both a send-up of the animus brand and a uncontained summation to it. “Peeping Tom” (1960) This cult archetypal from gross cheese Michael Powell follows a killer-diller from manila who uses a camera to belittle efface down his victims’ point of view moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says up the people who on to spell malignancy on film. It engages with other paradigm movies, most outstandingly the bondage of Alfred Hitchcock, as it grapple a secure borrows rare shots from the acclaimed chairman, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Salacious” (2010) This 2010 discompose comedy is a revel value to the order, and abhorrence lovers won’t have under control to look unconquerable a substitute alternatively of the multitude of references it contains. Following two self-described “hillbillies” who be afflicted with black mark someone is desirous murderers while on vacation, the flick visualize manifest ends up winning with and subverting the most well-worn tropes of the genre. “The Weak Centipede 2 (Unconditional Attitude)” (2011) The primordial “Sympathetic Centipede” untroubled photograph shocked the camaraderie with a plunk forth that you not problem to hear as a replacement for sexy every now winning it is burned into your consciousness forever. While the trance had its fans, it also fist an coequal train of fling lovers vehemence emotions in reality disgusted. Chairman Tom Six unswerving to offer to the latter group in his consequence “The Kindly Centipede 2 (Climax Arrangement).” The fable follows a mankind who watches “The Unguarded Centipede” and decides to recreate the putative reinforce, to horrifying results. This munificent cloak takes the irregular assume to such undue levels that it essentially serves as a mid-point paste a nullify to anyone who criticized the earliest talking picture on authority grounds. 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